Showing posts with label Korea. Show all posts
Showing posts with label Korea. Show all posts

Wednesday, June 25, 2014

Seoul (Day 3) - In which I get naked

Okay, so anyone who's been following me for a while will recall Amanda's and my first foray into public bathing.  It was enormously fun, and we've been on the lookout for opportunities to get naked in public again ever since.

Well, I say "again" but I'm pretty sure Amanda would dispute that word as applied to me.  Instead, she would use words like "cheated" and "betrayed" while pointing out that, unlike her brave self, I kept my trunks on beneath the tiny modesty towel that was ripped so unceremoniously away by our bathers.  And she would have a point.

So you can imagine my delight when I discovered that Koreans have a rich tradition of public baths.  Not only could I have all my dead skin cells scrubbed off by a brillow-pad-wielding stranger, I could also redeem myself by actually getting naked this time.

We reserved our last day in Seoul for the Korean baths.  Rising at the ungodly hour of 8:00 am, we dressed quickly (no need to shower before a bath!) and ran down the block for one last breakfast of pastries at Paris Baguette.

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All these carbs surely are not conducive to a public-nudity-friendly physique,
but I trust their effect on the waistline will be slow enough in coming that today's exhibition
won't be affected.

Having thus ingested an organic milk bread and a cream cheese pie (the waffle went into the bag for later consumption) and a freshly blended cup of tomato juice, we made our way to the Yongsan Dragon Hill Spa on the other side of town.  We emerged from the subway into an enormous modern shopping center . . .

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. . . but our destination was next door, in a gaudy building so laden with kitsch that I thought for a minute I'd traveled to Las Vegas.

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We walked past the giant "stone" samurai sentinels, beneath the unseasonal Christmas tree, and down a path lined with mostly dead bamboo.

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At the end we were greeted by a tiny woman at a reception desk who handed us a map of the place (there were at least seven different levels, all with different illustrated attractions and amenities and lists of gender-specific rules) and then ushered us to a check-in gate.  There the clerk handed each of us a stack of clothing (nondescript t-shirt and shorts) and a numbered bracelet with a key.  We used the keys to deposit our shoes into nearby shoe lockers, and then it was time to split up -- Amanda to the women's baths, and I to the men's.  We really had no idea what to expect, so we just wished each other good luck and agreed to meet back there sometime before noon.

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I took the men's elevator to the fifth floor, where I emerged into a bright, institutionally clean room.  To the left was a large room lined with mirrors; to the right were banks of lockers.  Directly in front of me was a sort of concession stand, where a variety of chilled beverages were displayed alongside a puzzling number of crates filled with eggs (why on earth would you need a raw egg, let alone several hundred of them, in a men's locker room?) and stacks of folded towels.  Past that, on the far side of the room, was a miniature barbershop.  And everywhere there were men.  Naked men at the mirrors engaged in various grooming activities; other men near the lockers climbing into or out of their clothes; old men standing by the counter watching TV; young men sleeping on the wooden benches that lined the passage between the mirrored section and the locker-room section.

It was a lot to take in.  So I started with the easy part and found my locker and started to undress.

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But then I realized that I had no idea what I was supposed to do or where I was supposed to go once I was undressed.  So I put my clothes back on and went out to get a lay of the land.  The locker room was straightforward enough, and I figured I could just ignore the barber shop and the eggs.  I saw that the grooming area was where you went after you had bathed, to dry off and apply whatever lotions or hair products you desired (there were hair dryers, hair gel, and strongly scented aftershaves and lotions).  As for the baths themselves, I surmised that they must be on the other side of a pair of steamy glass doors in the back corner of the mirrored room.  That's where I needed to go!  Back to the locker and off with my clothes . . . .

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This photo is for all you "pics or it didn't
happen" haters out there (you know who you are!)
Okay, now don't freak out!  I'm not actually naked in this photo -- I've got one of those tiny modesty towels clutched 'round my loins.  And since I used one of those fancy Instagram filters, it's technically "Art" and not one of those creepy shirtless selfies that people use on dating websites.  This blog is still totally safe for work.

Anyway, now properly starkers (sans modestly towel), I walked back through the mirrors and through the steamy glass doors.  Again bewilderment!  To my left were a bank of normal showers; next to them were a couple rows of low counters with stools and nozzles shower hoses.  Past those were a series of pools of various temperatures, and some doors that led to further unknown regions.  Where do I start?  What's the proper order of things?

I decided to start with a shower.  I knew from the guidebook that etiquette required rinsing before soaking in the pools.  Plus, I thought a quick shower would give me time to watch what other guys were doing.  Turns out they weren't really doing anything other than washing or shaving or sitting in a pool.  It was as if this was just ordinary life for them -- no big deal!

So I charted my own course:  I started with the hottest pool (110 F), then worked my way down to the others (107 F and 104 F respectively), before jumping into the cold pool (68 F).  Then into the steam room (130 F).  Once I stopped worrying about what I was supposed to do, and just did what I wanted to do, I started to feel totally relaxed.  It was fun!

Lest you think this was all posh and zen like one of those spa commercials, picture this:  I'm sitting on a bench of green glass tile, sweating my brains out with a couple of ancient Korean men (one of whom is jogging in place in the corner), when in walks a repairman in full workman's gear carrying an electric drill.  He then proceeds to dismantle and reassemble the wood latticework separating the heating apparatus from the rest of the room.  I'm all, like, seriously? You have to do this now? Shouldn't you at least take your clothes off like the rest of us?

Anyway, after the steam room it was back to the pools for another round of soaking before heading to the body scrub room.  This was actually my third attempt to get in for a scrub.  The first time I'd looked in I'd found the attendant asleep on one of the benches.  The next time he was in the middle of scrubbing another guy.  This last time, the attendant was both awake and not otherwise occupied, so he motioned for me to come in and lie down -- "face up!"

He plopped a hot towel on my face, poked my eyeballs kind of gently and then thumped my forehead loudly two times with his fist.  Then he dumped some hot water on me and strapped on a rough exfoliating mitt, which he then proceeded to scrub across my entire body -- front, back and sides -- into every nook and cranny, even that little divet between your ankle and your achilles tendon.  While doing this he alternated between expressing astonishment at the amount of dead skin he was peeling off (apparently I was long overdue for a full-body exfoliation!) and peppering me with friendly questions:
Him:  Do you have a girlfriend?
Me:  Nope
Him:  Why not?
Me:  Well...
Him:  Do you want a Korean woman?
Uncertain where this would lead (was he offering a Korean woman?), I changed the subject.

Eventually scrubbing gave way to a massage (which involved a fair amount of thumping and slapping), followed by a good full-body soaping and a shampoo, and one last rinse.  He clapped me on the shoulder and handed me a towel:  "Now you take a shower!"  So I did.

After I had showered and dried off, sampled all the aftershaves and lotions I could find, donned my standard-issue t-shirt and shorts, and headed downstairs to find Amanda.  She was waiting near the elevators with a look of boredom and irritation on her face:  Apparently the women's baths are closed on Wednesday mornings, so while she'd been allowed to change into her spa-issued outfit, she hadn't been able to shower, soak or get a body scrub.

To cheer her up, we started exploring the non-gender-segregated common areas.  There was a depressing little cafe area that seemed to sell only junk food . . .

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. . . and a series of kilns, where we could sit and bake in dry heat. The first one we tried was insanely hot and completely intolerable, as in, to the point of being a little terrifying. We escaped as quickly as we could and tried the others, which turned out to be more reasonable.

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As we emerged from the heat, feeling all happy and relaxed, Amanda got a glint in her eye and urged me to try out the ice room.  Apparently she'd discovered it while she was waiting for me.  "It's glorious," she said, "just glorious!"

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I went in and promptly FROZE TO DEATH next to the scary snowperson. It was NOT pretty.

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After the arctic blast, we took refuge beneath a couple of pyramids, heated, that featured aromatic herbs and lots of sleeping Koreans. We weren't interested in napping, ourselves, so we climbed back out after a few minutes and learned that the women's section had reopened. So Amanda went to find her bliss and I went out to look at the pool.

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It wasn't all that cool, so I went back upstairs for another round through the pools and steam room before dressing and heading back downstairs to wait for Amanda.  She emerged about an hour later glowing and singing the praises of her scrubbing/spa experience with the little old Korean ladies upstairs.  Both of us now feeling deeply relaxed and extremely clean, we paid for our sessions (everything was tracked on a computer chip in our key bracelet) and walked out into the rushing world of Seoul.

Tuesday, June 24, 2014

Seoul (Day 2) - Mozart! Das Musical

Amanda and I have a tradition of seeing bombastic American action films while traveling abroad (think Transformers III in Lima).  I'm not sure yet if we'll manage such a screening on this trip, but I think Mozart! das Musical -- a bombastic Austrian musical -- might be a near-perfect alternative.

We stumbled upon this treasure while taking refuge from the rains beneath the portico of the Sejong Center for the Performing Arts in downtown Seoul.  Having just barely outrun the deluge, we turned around and saw a giant poster advertising what could only be a glam-rock musical performed by K-pop stars.  There was enough guy-liner and angst to fuel a million teenage fantasies!  Of course we instantly purchased two tickets for our last night in Seoul.

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Mozart as Korean pop star?  How could you NOT want to see this?
On the evening in question, we changed into our finest theatre-while-traveling attire and headed out for a night on the town.  We started with dinner at Hangaram restaurant near City Hall that Veronica had suggested.

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We ordered the stuffed pollack (not delicious) and the grilled sea bream (probably
the best thing we've eaten in Korea so far); also a host of side dishes.
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Look!  Duk bok ki!!
Friends had been urging us to try it, so after our food came I looked it up on the Internet,
thinking I'd try to order some, only to discover that it was already sitting right in front of me.
After dinner we had a leisurely walk to the performance hall, enjoying the rain-free evening.

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Sejong Center for the Performing Arts
The interior looked like a cross between a what I would imagine a Soviet bank to look like (did the Soviets even have banks?) and a casino.  Everywhere I looked, there were groups of teenage Korean girls posing for pictures in front of the publicity posters and cast photos.

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One of those posters gave a timeline of the musical's history.  How has this been happening for fifteen years without any of us knowing about it?

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The auditorium itself was actually top notch.  We were in the nosebleed seats on the third balcony, but our view was still very good.  The giant pipe organ on the right gave some unexpected character to the room.

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I know, I know, this picture is totally violating all sorts of copyright.

As for the show itself, what to say?  From a production standpoint, it was obvious that no cost had been spared.  The sets, costumes, lighting were all top notch.  And the performers were good, too.  Turns out you can do Broadway-style belting just as well in Korean as in English.  As for the music, well, it's a good thing those singers could belt, because that's all they did for the entire three hours of the show.  I kid you not, every single song was a power ballad that tried to bring the house down.  The melodies were also pretty derivative.  We recognized occasional references to Mozart's own music, but more often we just heard strains of Andrew Lloyd Weber.

And the plot?  Who knows -- it was all in Korean, so we had to interpret the spectacle.  It went something like this:

  • Mozart as a kid is trotted out by his father to perform for a bunch of people wearing awesome hoop skirts.  He plays the piano, he plays the violin, he collapses on the floor.  Marie Antoinette shows up and sings a song.
  • Mozart, now a dissolute young man, spends his time gambling.  He goes to a brothel-and/or-madhouse run by the Thenardiers, where he holds singing auditions for the women.  He picks the flooziest of the floozies and may or may not have fallen madly in love with her.  He leaves and a deliveryman brings hats and bread.
  • There's a red Darth Vader who likes to sing dramatic baritone solos on his staircase while his hoop-skirted maids march in formation in the foyer.
  • At some point Mozart becomes haunted by this little-kid self.  At first everything's fine -- who wouldn't want to be haunted by a six-year-old wearing lace and a wig? -- but then things get angsty between Mozart and his dad.
  • Red Darth vader rides in a coach through the woods.  He has a heart attack, but is cured when his servants set up a toilet and a screen and make him go Number 2.
  • Mozart continues to have lots of angst; no one knows why, only it never ends.
  • Act Two:  Everyone is now a vampire rockstar.  This is why we came to see the show.
  • I dozed off for a while, so I missed some of the finer plot points of the second act.  I'm jolted awake when the little-kid ghost of Mozart starts stabbing grown-up Mozart and Marie Antoinette appears again floating the air.
  • Eventually the murderous child succeeds and both Mozarts die alone in bed.  THE END.
So there you have it:  Mozart was a vampire and was murdered by his childhood ghost.

The audience, of course, LOVED it.  Or at least they loved the performers.  The guy who played Mozart and the woman who played Marie Antoinette were clearly the beloved stars -- all the teenagers in the audience were beside themselves clapping and screaming and waving both hands in the air.  Down in the orchestra section, there was a whole crowd of teenage girls giving a super-enthusiastic standing ovation.  That in itself was fun to see.


Seoul (Day 2) - Changdeok Palace and Huwon Garden

According to our guide books, Seoul has a couple of palaces that are really worth visiting.  We had originally planned to devote today to visiting two of them . . . but then we spent half the morning blogging about yesterday's activities and then having another multi-pastry breakfast at the Paris Baguette Cafe down the street.  While breakfasting, we discovered that (1) the principal palace was closed on Tuesdays, and (2) the Changdeok Palace's famous Huwon Garden could only be visited as part of a guided tour, and the last English-language tour was leaving sooner than we could walk there.   So much for planning things on the fly!

We decided to make a run for the garden tour (by all accounts it was a "must do"), so we snarfed the last of our pastries and kiwi milkshakes and hurried to the nearest taxi stand.  At this point we learned a valuable lesson about guide books:  Amanda and I have both used the Lonely Planet guide books for years, but we always wonder if others would be better.  This time Amanda got the Lonely Planet for Seoul, and I got the green Michelin guide (different from the red Michelin guide).  So far the Michelin has sadly underperformed in pretty much every way, while the Lonely Planet has lived up to the brand's solid reputation.  But when we got into the taxi and proceeded to murder the pronunciation of the palace's name and then handed the Lonely Planet to the driver with plenty of (un?)helpful gestures, all we got was a blank stare.  I pulled out the Michelin on the theory that our driver might be able to understand a different set of English words, only to discover that, lo and behold, Michelin had thought to print place names and addresses in Korean as well as English.  Of course the letters were tiny enough that our cabby literally had to pull out a magnifying glass from the glove compartment in order to read it, but read it he did -- and with a little grunt of understanding he set off through the city.  (Take note, Lonely Planet. I expect more Korean-language listings in the next edition!)

Anyway, we got to the Changdeok Palace without further ado and purchased our tickets for the garden tour.  Thanks to our speedy cabby, we still had about 40 minutes before we needed to be at the rendez-vous point for the garden tour, so that gave us time to explore the building complex of the palace.

The Changdeok Palace was built in 1405 as a secondary palace for the king.  According to the signs, this was necessary to bring balance to the city -- now there was a palace on the west and a palace on the east.  I could just imagine how well this went over with the common people:  

King: [to the people]  I need to raise taxes and force you labor in building a fancy new palace.

People: [to the king] Boo!

King:  People, believe me, I don't want a new palace -- I need a new palace to balance out the fact that I've already got another one on the other side of town.  It'll be a win for everyone!

People:  Oh, well, that makes perfect sense.  Here's our money and labor!"

In any event, the palace was built and is now a prime example of the Korean design principles harmonizing nature, geographical positioning (mountain in back, river in front), and the manmade palace and gardens. Over the centuries, portions of it were destroyed and rebuilt. It became a UNESCO World Heritage site in 1997.

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The Great Gate
built in 1412 and restored in 1609
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Geumcheongyo Bridge
built in 1411
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Courtyard of the throne hall
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Stone markers designate where various officials stand during state ceremonies
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Detail of the latticework on the outside of the rice paper windows
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Interior of the throne room
built in 1405 but later restored with Western elements
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Eaves detail of the throne hall
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Administrative hall; the only one to have a blue tile roof
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The colorful ceiling is typical of public buildings.
The colors represent the various elements.
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The real draw of the Changdeok Palace is the Huwon (a.k.a. Secret) Garden. Spreading out behind the palace in the middle of Seoul, the garden is a vast, unspoiled park consisting of woodlands, water features and tastefully placed pavilions where the royal family would retire for poetry-writing parties, archery and sailing wine-glasses down the stream (because apparently that's a thing). Given how highly the garden was praised, I came in expecting something spectacular -- on the order, maybe, of Versailles or something -- but our guide quickly advised us to set our expectations lower. And she was right. The garden was indeed lovely, but in a natural, understated sort of way.

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The square pond represents the earth, and the circular islet represents the heavens.
On the hill is the royal library.  The three gates are for the king (center) and his ministers.
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Lotus pavilion. With its "feet" in the water, the pavilion adds the human element
to the earth and heavens of the pond/islet design.
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This gate is carved from a single large piece of stone.
Apparently it has properties that will lengthen your life if you cross through it.
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Part natural waterfall, part manmade fountain.
This is where the king and his friends would float their wine glasses down the stream.
Was it really a game, or were they just littering?
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The king's very own rice paddy.
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To get in touch with how "the people" lived, the king built this house modeled after
a nobleman's residence.  Makes me think of Marie Antoinette's Petit Trianon.
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This Chinese juniper tree is estimated to be approximately 750 years old!

Monday, June 23, 2014

Seoul (Day 1): Cheonggyecheon and Myongdong - modern Seoul

The old, traditional houses of Bukchon are lovely, but most of Seoul is super urban and very modern. It's a fun, vibrant city that feels surprisingly familiar and very clean.

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View from the hotel balcony, looking southeast.
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Hotel view looking southwest.
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Hilltop view in Bukchon neighborhood
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Samsung owns this building.
I feel like it should be the setting for the climactic
fight sequence in an action movie.
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This river walk apparently used to be covered by a highway.  It's lovely now.
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I love how the English signs make sense, but only kind of.
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Standing at the intersection of two busy pedestrian streets in the lively
shopping district of Myongdon.  Here's a view to the right.
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And a view straight ahead.
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To the left.
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And behind.
I love the cacophony of colors and signs.